“We are beginning to see
now it is matter is the scaffolding
of spirit; that the poem emerges
from morphemes and phonemes; that
as form in sculpture is the prisoner
of the hard rock, so in everyday life
it is the plain facts and natural happenings
that conceal God and reveal him to us
little by little under the mind’s tooling.” — R. S. Thomas, from “Emerging”
“Midway in our life’s journey, I went astray/from the straight road and woke to find myself/alone in a dark wood.” So said Dante, and so echoed I, if not in word, then in experience. But Dante woke to find himself there; I stumbled into it with my eyes wide open. Dante had his Virgil—and his Beatrice—to guide him through what lay ahead. I had Rainer Rilke, Jurgen Moltmann, the Gospels, and U2.
With my life at a standstill, trying to write a dissertation for a degree I wasn’t at all sure I would have the chance to use, I woke to who I was — and wished I could sleep again. There is much about our selves that we sense is just behind us, but we’re too afraid to look. There is still more that we don’t know until a fissure opens and we fall into the depths. Once there, every shadow is menacing, every sound unnerving, every thought doubling back on itself in an endless loop. We wonder if we were ever who we thought we were, and we are sure that everyone sees us more starkly and completely than we see ourselves.
Trying to write a dissertation about hope and suffering and the mystery of evil when one has little hope becomes an ordinance of humility. The suffering we cause, when named and owned, is first a fire that sucks up all the air, and then a cleansing flame that scours away our pretense.
Down in the depths, there is nothing to be gained by plugging in the formulae that others assure us we will need for peace of heart. What is needed is clarity, a fierce honesty that stops down the aperture of our soul to a brilliant point of light.
I visited my father once when he was working in research for a major defense contractor. He asked if I’d like to experience a sensory deprivation chamber. He promised to let me out after a few minutes since I would have no sense of the passage of time. That was a darkness that seemed to atomize my body. Although I could touch my hand, I could not see it no matter how close I held it to my eyes. And although I shouted as loudly as I could there was absolutely no sound. None. It was like a mini-death, but I felt no panic, only a pang of loss as if I could no longer remember my name or my face.
When we long for the presence of God, of a word we can hold in front of us like a candle, we feel the limits of our faith. How is it, as Christian Wiman ruefully admits in My Bright Abyss, that he can wake up as a Christian and go to bed an atheist? Why should we expect, as people of faith, that the path before us will be cleared of all obstacles before we touch a foot upon it? Why do we imagine that our faith in that which is eternal will be satisfied once for all? Why do we expect that the flame that is lit between ourselves and the Spirit will burn steadily from that moment onward?
Rilke was there with his angels, those terrifying angels, and the grandeur he uncovered in the spaces between prayers. He gave syllables to the breath within me that could just utter the name of God without choking up. I finished the dissertation in due course, defended it, and reinvented myself. I began to see hope in the crucified God and to turn my face toward the garden of the resurrection.
“It is not that he can’t speak:
who created languages
but God? Nor that he won’t;
to say that is to imply
malice. It is just that
he doesn’t, or does so at times
when we are not listening, in
ways we have yet to recognize
There are days when we put on the brave face and speak of faith to others and pray that they don’t see the desperation in our eyes. Doubt and faith journey together; when one falls behind the other pauses to wait patiently. Thomas became my patron saint, I his twin brother. When he exclaimed, “My Lord and my God!” he had seen through the familiar figure of Jesus to the God within. I wondered if I could see that God in the pale and fastidious Jesus of religious media.
“Christian faith teaches that the One whom we are to love most is the one whom we can never fully possess,” writes Mark Oakley in The Splash of Words. “It means that our faith’s language will be inevitably infused with desire, ache, and search. The One we long for most finally eludes us.”
I learned that faith grows in the ‘between’ places and that if I could not bear the potted version that provided contentment for many, that God would generously, with patience and good humor, meet me where I stood, defiant but uncertain.
Oakley says, “we are not seeking relevance but resonance — not the transient ideas of today that can convince for a time but the truths that address the deepest longings of a human life and a fragile world.” Our faith weakens, “when we think we somehow have captured God or contain God. This is when certainty more than doubt becomes the opposite of faith.”
“But I still haven’t found what I’m looking for. . .”
Someone said—perhaps Rumi—that every morning we may say, “Now I begin!” If we can believe it, God starts anew with us every moment; each breath may be our untainted first. Because we carry our memories and our guilt with us, and because we are creatures of time, we think in linear fashion: first this must happen, then that, and finally, this will be the result. God, unbounded and beyond all constraints of time, sees us as we were, and are, and shall be evermore in every moment.
“As a Christian,” Oakley says, “I believe that God has given us all a gift. It is our being. God asks for a gift in return—our becoming, who we become with our being. Because our gift back to God is lifelong and continually shifting and changing, it means that any language that is to be true to this spiritual adventure of being alive needs equally to resist closure, to protest at black and white conclusions and fixed meanings.”
We are unfinished beings, mercifully limited by space and time, and blessed with curiosity and imagination. If we believe that the One who started this good work in us will continue in our renewing, perhaps we will have the courage to see beyond the dark wood.
Poem selections are, respectively, “Emerging” and “Nuclear,” by R. S. Thomas, in Collected Poems: 1945-1990.
Photo: Beschte Photography, Unsplash.com